South African Printmakers

The South African art world is relatively small and theby Stephen Inggs and the Artists' Proof Studio in
market grapples with the nature of the economy ofNewtown, Johannesburg.
the country, which is a combination of the developedFinally there are the "private" South African
and developing world. Artists of the caliber of WilliamPrintmakers who rely on the work that they produce
Kentridge and an illiterate sculptor living on the borderto sustain their printmaking activities. The Artists'
of the Kruger Park both call the country home. It isPress in White River ( The Piglet Press in
against this backdrop that South African printmakersJohannesburg and Hard Ground Printmakers
work and have over the past few decades openedWorkshop in Cape Town are all examples of this
studios and workshops to meet their own and othergroup. The media that they work in depends on the
artists needs.expertise and field of interest of the master printers
South African Printmakers come from threewho run the workshops.
backgrounds. Some artists will specialize in printmakingIn the past the identity of South African printmakers
while they are studying and will go on to set uptended to be tied up in the world of linocuts and
studios that cater for their own needs. John Moore iswoodblock prints. This medium has developed the
an example of this as he does all of his woodblockreputation of being a particularly African way of doing
printing himself. Other South African Printmakers canprints. From Cecil Skotnes and Dan Rakgoathe to
be found affiliated to "public" institutions such asSandile Goje South African printmakers have
universities, Technikon and community arts studios.mastered these techniques. Woodblock and lino cut
These organizations are funded and do not have toprinting is a relatively accessible way to make prints
rely on the services that they provide for an income.and can be done with a minimum of materials and
Examples of these South African printmakers wouldequipment. It also lends itself well to the tradition of
be Kim Berman at the Witwatersrand Technikon, Thecarving in Southern African Art.
Michaelis Art School Printmaking department headed